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Thursday, 26 January 2012
Record Review – Goat
Goat supposedly stem from the tiny Swedish village of Korpolombolo (a settlement that practiced voodoo before being burned out by the crusaders). Dressed in masks in a suitably satanic promo pic a similarity to acts like Gwar emerges, but rather than dealing in monstrous forms of metal Goat however trade in a cinematic rock gumbo parts Performance, Dr John, Ruth Copeland's sleazy ’70s voodoo grooves and the put together afro rock of the Demon Fuzz album. That said, the production is quite contemporary and elements of such ’80s noise droners as Loop can be picked out by a discerning ear, drawing closer comparisons to fellow Rocket acts.
This then is clearly the product of likeminded hipsters akin to the muse of Votel, Cherrystones and co. And no, it's not a bad vibe either. It's just that the real sense of both the horned one and the tunes of pioneering dark arts groovers like Graham Bond is evidently missing.
Jon 'Mojo' Mills